8/9/2023 0 Comments Best way to kaleidoscopeAnd by the time you're done, you have sort of a holistic version of them a gestalt view on each of these characters. And hopefully, what you do as you watch all of them is you get a different viewpoint, you get a different lens. "We might be introduced to the characters in the 'Blue' episode in one way, but then we would see them differently in the the 'Yellow' episode. Garcia says they figured out that every episode had to give audiences something new about each character. A lot of it was treating each episode as if it were a pilot, but then making sure that we did not go stale." That's the challenge, and you have to throw out a lot of the writing tricks that you learn throughout a career. But we also have the ones that were the ones in between, that would detail those specific connections, right? Because the whole idea is that if we're going to do this, and we're going to make this web, you have to be able to introduce characters to the audience in ways that are fresh and new and non repetitive. "Every episode had a couple of whiteboards, but really the main one was when we were breaking that episode. "I made them buy so many whiteboards and we specifically had them on wheels," Garcia recalls with a laugh. Once Netflix picked up the series, Garcia says he set up his writers' room inside a huge office building that could house a small army of whiteboards needed to craft the episodes in parity. Luckily the title Kaleidoscope ended up fitting perfectly with Garcia's inclination to name the episodes for colors. The show was, fittingly, originally called Jigsaw, but that title was eventually scrubbed due to the character in the Saw horror franchise. But I think that is possible.' And from there, it grew," he says. I don't even know exactly how to do this yet. "I said, 'I don't know what the story is yet. Garcia subsequently laid out a basic pitch that wasn't even heist-based, but posed an interactive story that would change based on the lens of how the viewer received background information on the characters that might impact their biases or sympathy as they watch. I said to a friend, who is a director, 'I think there's no reason we should have to watch things in order these days.'" The earliest thing I found about it on my computer, which was 2014. It was an idea that I can track it back to an email I wrote to a friend of mine. There are so few articles, which is, of course, what I found so fascinating. The other side of it was very much the structural side. "I was always fascinated by the missing bonds that disappeared right after Katrina. And while the story at the heart of the series, which stars Giancarlo Esposito as the heist leader, is based on an actual brazen $70 billion theft of bonds during Hurricane Katrina, the series created by Eric Garcia is both a homage to the genre and a quasi-Rorschach test experiment of how audiences can change their own experience with a series based on how they ingest the story.Īs a concept, Garcia tells SYFY WIRE that he first through about the idea in 2014 after he found out about the actual heist that barely got covered in mainstream media. Each episode is named for a color - "Yellow," "Green," "Blue," "Orange," "Violet," "Pink," and "Red" - and once those have been viewed, the final episode, "White," is unlocked. On New Year's Day, Netflix released a new heist thriller, Kaleidoscope, which was constructed to give the viewer an unique viewing experience based on which episodes they choose to watch, and in what order they watched them.
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